Gnomon arrow Gnomon - Sculpting John Brown DVD 1-6
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Gnomon - Sculpting John Brown DVD 1-6
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Gnomon - Sculpting John Brown DVD 1-6

ราคาต่อหน่วย (piece): B 600.00
B 400.00
ท่านประหยัดได้: B 200.00


รวมวิดีโอสอนการปั้นโดย John Brown ชุดที่ 1-6 (และตอนพิเศษ) ในราคาพิเศษ





600 บาท  ขาย 400 บาท! ฟรีกล่อง Boxset







Sculpture with John Brown Volume 1: The Character Armature


Sculpture with John Brown Volume 2: The Character Maquette


Sculpture with John Brown Volume 3: Sculpting the Detailed Character Head


Sculpture with John Brown Volume 4: Molding and Casting the Character Head


Sculpture with John Brown Volume 5: Molding and Casting the Maquette


Sculpting the Femme Fatale, The Techniques of John Brown, Volume 6





Bonus+



Video


Mark Alfrey - Prosthetic Make-Up For Beginners


Mark Alfrey's Sculpting Movie Monsters


Mark.Alfrey's.sculpting.the.human.head



E-book


Decoration.-.Plaster.Ornament


Drawing the Human head


L'art de la Sculpture


Modeling The Figure In Clay (Bruno Lucchesi)



(โบนัสจะอยู่รวมในแผ่นที่ 6 นะครับ)






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Sculpture with John Brown Volume 1: The Character Armature



The Armature is the aluminum skeleton underneath a clay sculpture. It not only supports the sculpture, but also contains valuable proportional measurements. More than just twisting wire, this method of making a telescoping armature teaches how to calculate and be exact, as well as how to plan and execute your creative ideas from their inception. Its rudimentary approach to advanced techniques ensures professional results from sculptors of all calibers. Learn how to determine scale and also where the sculpture will come apart for accessibility and molding.



    Materials:


    Tubing, Wire, Epoxy


    Drill, Dremel, Vice


    Nuts, Bolts, Base


    Character Design


    Armature Map



    Introduction


    Character Design


    Armature Map


    Tool Overview


    Getting Started


    Locating the "t"


    Making the Arms


    Wrapping


    Measure and Cut


    Cutting Brass


    Attaching Brass


    Attaching Arms


    Attaching Neck


    Attaching Head


    Preparing Feet


    Nuts and Bolts


    Securing to Base


    Closing Comments


    Credits



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Sculpture with John Brown Volume 2: The Character Maquette



Sculpting the maquette (small model) develops not only good technique, but also provides the artist with an understanding of the workflow of a sculpture, ensuring quality and efficiency. Beginning with a clean armature, this lecture takes the student through the entire process of realizing a finished piece. Its rudimentary approach to advanced techniques ensures professional results from sculptors of all calibers. Complete with narrative theory and practical application, it offers an in depth look at the As, Bs & Cs of the preliminary, intermediary & post sculpture process.



    Clay Types


    Softening / Hardening Clay


    Sculpture Tools


    Workflow


    Line Balance


    Silhouette



    Prologue


    Introduction


    Working with Clay


    Tool Overview


    Getting Started


    Primary Form


    Calipering


    Roughing in Forms


    Soft Tissue


    Head Sculpting


    Alcohol Torch


    Defining the Head


    Hands, Arms and Feet


    Line Balance


    Silhouette


    Using Rakers


    Using Solvents


    Detailing Techniques


    Closing Comments


    Credits






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Sculpture with John Brown Volume 3: Sculpting the Detailed Character Head



This lecture introduces the student to sculpting the full-scale head with an emphasis on detail. Beginning with a 1/3 scale concept maquette, this DVD teaches how to scale up off of a design and build a full scale sculpture from scratch. Sculpting of the facial features is emphasized, with a focus on secondary & tertiary form, including step-by-step techniques used to create wrinkles, skin texture, pores, veins - all the essential components of sculpting realism. The lecture also addresses the important considerations when sculpting for digitization. Every phase of sculpting the head is demonstrated including armature construction, initial block-in, facial features, ears, horns and surface details.



    Concept Maquette


    Working in Scale


    Primary and Secondary Form


    Tertiary Form


    Sculpting Wrinkles


    Skin Texture and Cross Hatching


    Blending Skin Texture


    Solvents


    Pore Texture and Veins




    Introduction


    Tool Overview


    The Head Armature


    Concept Maquette


    Full Scale Sculpt


    Working in Scale


    Roughing in Features


    Roughing in Wrinkles


    Alcohol Torch


    Refining Form





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Sculpture with John Brown Volume 4: Molding and Casting the Character Head




'Molding & Casting the Head' picks up where 'Sculpting the Detailed Character Head' left off. Beginning with the sculpture, this four-hour lecture takes the student through preparing the sculpture to be molded, right up to pulling a plaster cast out of the mold. Through a step-by-step process, students will learn a variety of mold making techniques, how to break the sculpture up for individual molding, how to make a flexible silicone Matrix mold, and then on to producing a casting of the sculpture. All while being exposed to the special materials and tricks of this trade. Students will also learn how to avoid the practical pitfalls associated with this kind of work, walking away with a solid foundation for molding & casting their own projects.



    Silcone Mold Making


    Matrix Mold


    Block Molds


    Understanding Undercuts


    Water Based Clay


    Mold Registration


    Plaster Casting


    Seaming and Patching


    Burlap and Re-Enforcement


    White Hydracal (Plaster)


    Back Pressure


    Chasing Clay


    Triple Beam Balance


    De-molding


    Resources



    Chapters: Disk One


    Introduction


    Mold Anatomy


    Sculpture Prep


    Understanding Undercuts


    Building Dividing Wall


    Clay Cutting Board


    Water Based Clay


    The Dam + Clay Layer


    Registration


    Registration Keys + Sprue


    Credits



    Chapters: Disk Two


    Introduction


    Prep/Burlap


    Prep/Plaster


    Plaster/Detail Coat


    Burlap Coat


    Rasping


    B-side Prep


    B-side Clay Lay-up


    B-side Plaster


    Open Mother Mold




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Sculpture with John Brown Volume 5: Molding and Casting the Maquette




'Molding and Casting the Maquette' picks up where 'Sculpture 2, 'Character Maquettes' left off. Beginning with the sculpture, this four-hour lecture takes the student through preparing the sculpture to be molded, by first cutting the sculpture into separate pieces, right up to pulling plastic casts out of the silicone flexible molds and assembling them. Through an intricately detailed step-by-step process, students will learn how to make a flexible silicone Matrix mold, individual box molds and then how to produce plastic castings of all the sculpture parts. From there it illustrates assembly techniques, covering seaming and patching of the plastic parts, then moves on to priming and getting the student ready for painting and finishing their project, all while exposing the viewer to the special materials and tricks of this trade. Students will also learn how to avoid the practical pitfalls associated with this kind of work, walking away with a solid foundation for molding and casting their own projects.




    Matrix and Box Molds


    Understanding Undercuts


    Locating Parting Line


    Mold Registration


    Sprues and Vents


    Silicone and Casting Plastics


    Display Mounting and Assembly




    Chapters: Disk One


    Introduction


    Cutting up the Sculpture


    Prepare Dividing Wall


    Cutting Foamcore


    Undercut Theory


    Clay Cutting Board


    Clay Dividing Wall


    Silicone/Plaster Registration


    Prepare Plaster/Cut Burlap


    Mixing Plaster/Detail Coat


    Burlap Re-enforcement


    Credits



    Chapters: Disk Two


    Introduction


    Prepare B-side


    Removing Support


    B-side Execution


    Separating Plaster Jacket


    Chasing Clay


    Creating Back Pressure


    Clean up/Registration


    Prepare to Pour Silicone


    Intro to Silicone


    Triple Beam Balance




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Sculpting the Femme Fatale, The Techniques of John Brown, Volume 6



Inside "Sculpting the Femme Fatale", John demonstrates how to sculpt the fantasy oriented, sexy, dangerous female character. Beginning with a concept sketch and an understanding of gesture and balance, students will quickly learn the essentials of female anatomy through a comparative study using a live female model. Students will also learn the seven major differences between the female and male figures. John also meticulously covers sculpting form fitting clothing and accessories like boots and helmets. What makes this sculpture training DVD unique is its results-oriented theories and techniques that teach students how to analyze the body's forms properly, and to see and correct their own mistakes. By gaining a sharper eye, students will become equipped to extrapolate the figure's forms with respect to the rudiments and fundamentals of anatomy, enhancing their ability to design and develop their own sense of style.



    The Concept Drawing


    Plumb and Balance


    Setting Up and Posing the Armature


    UnderstandIng The Boney Forms


    Differences Between the Female and Male Figures


    Understanding Curves


    Modeling the Breasts, Arms, Hands, Face, Features and Clothing




    Introduction


    The Concept Sketch


    Plumb and Balance


    Setting up the Armature


    Understanding the Boney Forms


    Understanding Curves


    Negative Space


    Interpreting Curves


    Defining a Curve


    The Breasts


    Modeling the Arms


    Shaping and Refining


    Modeling the Head


    The Mouth and Lips


    The Nose


    The Ears


    The Eyes


    The Fingers


    Clothing and Accessories


    Ultra Refine and Finishing










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